John Lyly's prose work, 'Euphues: The Anatomy of Wit', was immensely popular and influential during the late 16th century. It introduced a highly stylized, ornate prose style known as 'Euphuism,' characterized by antithesis, alliteration, and classical allusions. This style significantly impacted the writing of his peers and shaped the development of English prose during the Elizabethan period.

John Lyly's 'Euphues' introduced a highly stylized, ornamental prose known as Euphuism, which became immensely popular in the Elizabethan era. William Shakespeare was notably influenced by Lyly's wit, wordplay, and courtly dialogue, particularly in his early comedies like 'Love's Labour's Lost' and 'A Midsummer Night's Dream'. Shakespeare adapted these stylistic elements to enhance the sophistication and comedic timing of his own dramatic works, demonstrating the lasting impact of Lyly's literary innovations.

Christopher Marlowe was a prominent Elizabethan playwright and a direct contemporary of William Shakespeare. Marlowe's innovative use of blank verse in plays like 'Doctor Faustus' and 'Tamburlaine' significantly influenced Shakespeare's own dramatic style. While John Milton lived in the 17th century and Lord Tennyson in the 19th century, Marlowe and Shakespeare were both active during the late 16th century, defining the golden age of Elizabethan drama.

Christopher Marlowe died on May 30, 1593, following a dispute at a lodging house in Deptford. Historical records, including the coroner's report, indicate that he was stabbed above the right eye during a fight involving Ingram Frizer, Nicholas Skeres, and Robert Poley, effectively ending his life at the age of twenty-nine.

The play 'Dido, Queen of Carthage' is widely considered to be a collaboration between Christopher Marlowe and Thomas Nashe. While Marlowe is the primary author, stylistic analysis suggests Nashe's influence, particularly in the structure and certain passages of the text.

Christopher Marlowe was a seminal figure in Elizabethan drama, known for his 'mighty line' and complex protagonists. 'The Jew of Malta', 'Doctor Faustus', and 'Edward II' are all canonical works attributed to him. These plays demonstrate his mastery of tragic structure and his ability to explore themes of power, ambition, and human limitation.

Christopher Marlowe's 'Doctor Faustus' is a quintessential example of Elizabethan tragedy. It follows the classical structure of a tragic hero whose hubris and desire for forbidden knowledge lead to his inevitable downfall. The play explores themes of damnation, moral conflict, and the limits of human ambition, culminating in the protagonist's terrifying final moments as he faces the consequences of his pact with Mephistopheles.

The servant in the Faust legend is named Wagner. This name is shared with the renowned 19th-century German composer Richard Wagner. While the character in the play is a student of Faustus, the name's association with the later composer is a notable coincidence in literary and musical history, as Wagner himself was deeply influenced by German folklore and the Faustian myth.

John Lyly's 'Euphues, or the Anatomy of Wit', published in 1578, was an immediate sensation. Its highly stylized prose, characterized by antithesis, alliteration, and classical allusions, became known as 'Euphuism'. This work significantly influenced the development of English prose style during the late sixteenth century and established Lyly as a prominent literary figure.

Thomas Kyd wrote 'The Spanish Tragedy' around 1587. It is considered a seminal work in the development of Elizabethan drama, specifically establishing the conventions of the 'revenge tragedy' genre that would later influence Shakespeare's 'Hamlet'.