These lines are taken from Ben Jonson's poem 'To the Memory of My Beloved The Author Mr. William Shakespeare', which was included in the First Folio of 1623. Jonson, a fellow playwright and contemporary, famously praised Shakespeare's universal appeal, noting that his genius transcended his specific historical era to remain relevant for all time.

The Comedy of Humours is a genre of dramatic comedy that focuses on characters whose actions are governed by an imbalance of one of the four bodily fluids: blood, yellow bile, black bile, or phlegm. Ben Jonson is the most famous practitioner of this style in English drama.

Ben Jonson, a contemporary of Spenser, criticized the latter's use of archaic and artificial diction in 'The Faerie Queene'. Jonson believed that Spenser's language was an invented, non-natural construct rather than a reflection of the living English spoken during the Elizabethan era, thus sparking a long-standing debate about poetic language.

Ben Jonson's 'Every Man in His Humour', first performed in 1598, is widely considered his first major success and the play that established his signature 'comedy of humours' style. The play is notable for its realistic depiction of contemporary London life and its focus on characters driven by a single dominant personality trait or 'humour', a concept derived from medieval physiology.

In the Renaissance era, the theory of the four humors—blood, phlegm, yellow bile, and black bile—was used to explain human physiology and psychology. Ben Jonson's 'Comedy of Humours' posits that an imbalance in these fluids results in a dominant personality trait, which he uses to construct eccentric and distinct characters in his plays.

The question refers to the poem 'To Penshurst' by Ben Jonson. While Jonson was a Renaissance figure, his emphasis on order, restraint, and classical structure significantly influenced the later Neoclassical poets. The poem is often studied as a precursor to the country-house poem genre, which became a staple of the 17th and 18th centuries, reflecting the values of stability and social hierarchy central to the Neoclassical aesthetic.

Neoclassical poetry prioritized reason, structural order, and classical imitation. Ben Jonson is widely regarded as a pivotal figure who bridged the gap between Elizabethan and Neoclassical sensibilities. His emphasis on wit, intellectual rigor, and adherence to classical rules of decorum significantly influenced the subsequent generation of poets, including the Cavalier poets and the later Neoclassical writers who sought to emulate his disciplined approach to verse.

Ben Jonson, a contemporary and fellow playwright of Shakespeare, wrote these famous lines in his poem 'To the Memory of My Beloved, the Author Mr. William Shakespeare', which was included in the First Folio of 1623. Jonson's tribute acknowledges the timeless quality of Shakespeare's work, suggesting that his genius transcends the specific historical period in which he lived and remains relevant to all generations.

Ben Jonson was a central figure in Jacobean drama, known for his 'comedy of humours' and his significant contributions to the development of the court masque. Alongside Shakespeare, whose later tragedies like King Lear and Macbeth were written during this time, Jonson helped define the literary and theatrical output of the early 17th century.

Ben Jonson's 'Timber, or Discoveries Made Upon Men and Matter' is a significant collection of his prose notes, observations, and literary criticisms. It provides deep insight into his views on language, literature, and the craft of writing, distinguishing it from the other listed works which are attributed to contemporaries like William Webbe, George Puttenham, and Philip Sidney.