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No verified paper has been uploaded for PPSC-PMS Punjabi Set-9 yet. The MCQs below are drawn from the Punjabi subject category.
Waris Shah composed the celebrated poetic rendition of 'Heer' in the 18th century, which is canonical in Punjabi literature.
Shahmukhi, a Perso‑Arabic based script written right‑to‑left, is the primary script for Punjabi in Pakistan.
Baba Fareed is recognized as the earliest known Punjabi poet, whose devotional verses are among the first recorded in the Punjabi language.
The referenced report stated that ten Punjabis were killed in the April 2024 attack in Nushki.
Peer Waris Shah is a celebrated 18th-century Punjabi Sufi poet. He is most famous for his magnum opus, 'Heer Ranjha'. Due to his profound influence on Punjabi literature, narrative style, and cultural impact, he is widely honored with the title 'Shakespeare of Punjabi' by scholars and literary critics.
Sir Fazl-i-Hussain was a highly influential political figure in British India. His career included significant roles in the Punjab government and the imperial executive council. His participation in the League of Nations highlights his importance as a diplomat and administrator during the early 20th century, shaping the political landscape of the region.
In many programming languages and spreadsheet applications, the LEN function is the standard method used to count the number of characters in a text string.
In many programming languages and spreadsheet applications like Excel or VBA, the 'Len' function is the standard built-in command used to calculate the number of characters in a given string. When applied to the string 'PPSC', it counts the four characters and returns the integer 4 as the result.
Punjabi and Sindhi cultures represent distinct sets of values, languages, and traditions that exist within the larger framework of the national culture. In sociology, these are defined as subcultures because they maintain unique identities while still participating in the overarching societal structure.
Regional cultures such as Punjabi and Sindhi are considered subcultures because they represent distinct cultural identities—including language, traditions, and customs—that exist within the broader national framework. They contribute to the diversity of the nation without rejecting the overarching national identity, distinguishing them from countercultures, which would imply an active opposition to the national culture.
